Sutherland focused on the inherent strangeness of natural forms, abstracting them to sometimes give his work a surrealist appearance; in 1936 he exhibited in the International Surrealist Exhibition in London. Graham Sutherland was already an established artist at the forefront of the Neo-Romantic movement when the Second World War began. [5] After a year he succeeded in persuading his father that he was not destined for a career in engineering and that he should be allowed to study art. In the event, Sutherland's commission in 1951 was for a tapestry of Christ in Glory. BBC © 2014 The BBC is not responsible for the content of external sites. It had been the spiky shapes of thorn bushes, evoking the cruelty of the Crown of Thorns, which inspired him at the end of the War, when he began thinking about religious subjects such as the … Upon leaving school, after some preliminary coaching in art, Sutherland began an engineering apprenticeship at the Midland Railway locomotive works in Derby as several members of the extended Sutherland family had previously worked there. [19] A major exhibition of rarely seen works on paper by Sutherland, curated by artist George Shaw, was shown in Oxford, in 2011–12. [13] A number of features reoccur within this body of work, for example, the fallen lift shafts that were often the most recognizable aspect of larger bombed buildings and a double row of bombed houses Sutherland saw in the Silvertown area of the East End. From 1940 to 1945, he worked in the War Artists' Scheme, drawing bomb-sites, blast furnaces, tin-mining and quarrying. ; Graham Sutherland Dulwich Picture Gallery, London SE21; until 25 September. As early as August 1940 he had been identified by the WAAC, and required to ‘'stand by to make pictures of debris and damage made by air raids'. His work is much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. Sutherland was employed as an official War Artist between September 1940 and November 1944. [21] He exhibited in the British Pavilion at the Venice Biennale in 1952 along with Edward Wadsworth and the New Aspects of British Sculpture Group. One of the leading British artists of the 20th century, Graham Sutherland was widely known for his prints and paintings. Graham Sutherland, who was already a close friend, was invited to become such an artist and in fact, due to his and Kathleen’s worsening economic situation, was persuaded to sub-let their house in Trottiscliffe, Kent and move in with the Clarks at Upton House, Gloucestershire in 1939. London, Graham Sutherland (1903-1980) is renowned for his surreal abstractions of landscapes and figures.Over the course of his career, Sutherland's aesthetic evolved from a more precise realism to concentrating on disquieting, thorn-shaped caricatures of the world. He served as an official war artist in the Second World War drawing industrial scenes on the British home front. On receiving the present, commissioned by his staff, Beaverbrook said, "It's an outrage, but it's a masterpiece!". Your guide to everything from drama to dance, painting to poetry. [7], At the start of World War Two, the Chelsea School of Art closed for the duration of the conflict and Sutherland moved to rural Gloucestershire. [22] From 1948 until 1954, Sutherland served as a trustee of the Tate gallery. The painting shows the war-time destruction. From 1940 to 1945 he was an official war artist, and his paintings from that period provide a factual and evocative record of desolation. His work was much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. [8] These pieces are mainly landscapes, which show an affinity with the work of Paul Nash. [7] While still a student Sutherland established a reputation as a fine printmaker and commercial printmaking was to be his main source of income throughout the late 1920s. Died 1980 Graham Sutherland started his working life as a railway engineering apprentice but after a year, he left to study art at Goldsmiths' College in London from 1920-25. In 1944, he was commissioned by Walter Hussey (the Vicar of St Matthew's Church, Northampton and an important patron of modern religious art) to paint The Crucifixion (1946). Graham Sutherland: The Crucifixion (St Aidan's) ... During World War II Sutherland was employed as an official artist as part of the War Artists' Scheme. He did not begin to paint in earnest until he was in his 30s, following the collapse of the print market in 1930 due to the Great Depression. Sutherland had been a war artist in the Second World War, and was a convert to Roman Catholicism. Graham Sutherland attended Homefield Preparatory School in Sutton and was then educated at Epsom College, Surrey until 1919. His portrait of Lord Beaverbrook pictured the newspaper baron as a cunning, reptilian creature. 10 works by Graham Sutherland, a British artist born in 1903. Sutherland's portrait of Churchill, to mark his 80th birthday caused a sensation at its unveiling in 1954, and was subsequently destroyed by the sitter's wife. [17] This was Sutherland's first major religious painting and his first large figure study. From 1940 to 1945 he was employed as an Official War Artist, mainly recording the effects of bombing; his poignant pictures of shattered buildings are among the most famous images of the home front. He dedicated himself to print-making during the 1920s, producing romantic landscapes, and later worked with watercolours, and finally, during the 1940s, in oil. English Artists Modern Art War Art Art Illustration Art Artist Inspiration British Art Painting British Artist Thunderstruck Graham Sutherland (British, 1903-1980), Devastation in the East End, 1941. This page is best viewed in an up-to-date web browser with style sheets (CSS) enabled. Eventually, in 1955, he purchased the villa Tempe à Pailla designed by the Irish architect Eileen Gray at Menton. His work was much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. 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